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<channel>
	<title>Andrew Benson</title>
	<atom:link href="http://pixlpa.com/feed" rel="self" type="application/rss+xml" />
	<link>http://pixlpa.com</link>
	<description></description>
	<pubDate>Fri, 31 Oct 2008 05:04:33 +0000</pubDate>
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	<language>en</language>
			<item>
		<title>of stones, moss, and other miscellaneous objects.</title>
		<link>http://pixlpa.com/projects/of-stones-moss-and-other-miscellaneous-objects</link>
		<comments>http://pixlpa.com/projects/of-stones-moss-and-other-miscellaneous-objects#comments</comments>
		<pubDate>Mon, 23 Jun 2008 16:48:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Projects]]></category>

		<guid isPermaLink="false">http://pixlpa.com/news/of-stones-moss-and-other-miscellaneous-objects</guid>
		<description><![CDATA[(Please open the article to see the flash file or player.)
This video was debuted as a looping video installation included in the Uncharted show at Hayes Valley Market, May 2008.
]]></description>
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<p>This video was debuted as a looping video installation included in the <a href="http://www.imaginarylandscapes.net/">Uncharted</a> show at Hayes Valley Market, May 2008.</p>
]]></content:encoded>
			<wfw:commentRss>http://pixlpa.com/projects/of-stones-moss-and-other-miscellaneous-objects/feed</wfw:commentRss>
		</item>
		<item>
		<title>Whisper - wearable synth wristband</title>
		<link>http://pixlpa.com/projects/whisper-wearable-synth-wristband</link>
		<comments>http://pixlpa.com/projects/whisper-wearable-synth-wristband#comments</comments>
		<pubDate>Fri, 20 Jun 2008 21:45:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Electronics]]></category>

		<category><![CDATA[Projects]]></category>

		<category><![CDATA[Sound]]></category>

		<guid isPermaLink="false">http://pixlpa.com/uncategorized/whisper-wearable-synth-wristband</guid>
		<description><![CDATA[(Please open the article to see the flash file or player.)


I just finished building, or rather stitching together my first complete wearable device, the Whisper audio wristband.  I have researched and experimented with soft electronics, interactivity, sensor technologies, and conductive fibers for some time now, but this is the first standalone device that I [...]]]></description>
			<content:encoded><![CDATA[<p><object type="application/x-shockwave-flash" data="http://www.youtube.com/v/D30bvtxsdA0" width="160" height="120" class="embedflash"><param name="movie" value="http://www.youtube.com/v/D30bvtxsdA0" /><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><small>(Please open the article to see the flash file or player.)</small></object></p>
<p><a class="tt-flickr tt-flickr-Medium" href="http://pixlpa.com/gallery/photo/2595519567/whisper---front-view.html"><br />
</a></p>
<p>I just finished building, or rather stitching together my first complete wearable device, the Whisper audio wristband.  <a class="tt-flickr tt-flickr-Small" href="http://pixlpa.com/gallery/album/72157605719677842/wearable.html"><img src="http://farm4.static.flickr.com/3048/2596355256_f5f85d65f1_m.jpg" border="0" alt="" hspace="20" width="240" height="180" align="left" /></a>I have researched and experimented with soft electronics, interactivity, sensor technologies, and conductive fibers for some time now, but this is the first standalone device that I have created that incorporates all of these concepts.  Whisper was conceived as a simple wearable audio device that would be lightweight, comfortable, and provide an engaging and simple interface that was capable of producing interesting noises.  I had recently been working on AVR code for sound synthesis for my Whispering Islands installation, and saw this as a good opportunity to try and create an interactive and wearable unit. The synthesis is done using an AVR ATTiny45 chip programmed to run a simple FM routine using a 256-point sine wave table.  Carrier frequency is controlled by the brown button-knob, and the FM modulator frequency and amount are controlled by the pressure sensitive fabric pads.  The tiny speaker will resonate with certain settings, creating some occasional loud squawks.  Otherwise, the device creates some quiet, but subtly wonderful sounds.</p>
<p><object type="application/x-shockwave-flash" data="http://www.youtube.com/v/ncivOCdDf9k" width="425" height="355" class="embedflash"><param name="movie" value="http://www.youtube.com/v/ncivOCdDf9k" /><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><small>(Please open the article to see the flash file or player.)</small></object></p>
]]></content:encoded>
			<wfw:commentRss>http://pixlpa.com/projects/whisper-wearable-synth-wristband/feed</wfw:commentRss>
		</item>
		<item>
		<title>Uncharted</title>
		<link>http://pixlpa.com/projects/uncharted</link>
		<comments>http://pixlpa.com/projects/uncharted#comments</comments>
		<pubDate>Fri, 20 Jun 2008 00:46:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Projects]]></category>

		<guid isPermaLink="false">http://pixlpa.com/news/uncharted</guid>
		<description><![CDATA[ Heather Brubaker and Marie-Claire Miesels recently curated me into a group show called &#8220;Uncharted: Imaginary Landscapes&#8221; at the Hayes Valley Market in SF.   I found out about the show the day after my daughter Djuna was born, and convinced myself that I could put together a video, site specific sound installation, and [...]]]></description>
			<content:encoded><![CDATA[<p><a class="tt-flickr tt-flickr-Small" href="http://pixlpa.com/gallery/photo/2529382140/whispering-islands.html"><img src="http://farm3.static.flickr.com/2003/2529382140_a9f1a9bbd0_m.jpg" border="0" alt="whispering islands" width="240" height="180" /></a> Heather Brubaker and Marie-Claire Miesels recently curated me into a group show called <a href="http://www.imaginarylandscapes.net/index.html">&#8220;Uncharted: Imaginary Landscapes&#8221;</a> at the Hayes Valley Market in SF.   I found out about the show the day after my daughter Djuna was born, and convinced myself that I could put together a video, site specific sound installation, and some paintings by the time Djuna was a couple of months old.  After having focussed so heavily on painting this last year, I really wanted to spend some time experimenting and doing a multi-disciplinary project.  I had also been working on some code to run various synthesis techniques on tiny AVR chips, and wanted to try incorporating that into one of my felt and thread installations.  <a class="tt-flickr tt-flickr-Small" href="http://pixlpa.com/gallery/photo/2528562781/whispering-islands.html"><img src="http://farm4.static.flickr.com/3152/2528562781_acda21edd4_m.jpg" border="0" alt="whispering islands" width="240" height="180" /></a> Originally, I was going to make stuffed island forms with embedded circuitry and have them floating on the thread meshwork.  However, after playing around with that I determined that it looked to plushy and instead developed the felt island structures by handstitching together bits of felt to resemble forms from some of my paintings.  An attiny26 chip provided 7 channels of randomly dispersed chatters and noises that were played through tiny cellphone speakers embedded in each of the islands.<a class="tt-flickr tt-flickr-Small" href="http://pixlpa.com/gallery/photo/2529383432/whispering-islands.html"><img src="http://farm4.static.flickr.com/3184/2529383432_c3c17bd0d8_m.jpg" border="0" alt="whispering islands" width="240" height="180" /></a></p>
<p>I also installed a 3-minute video loop that I recently finished, and a pair of acrylic-on-paper works.</p>
]]></content:encoded>
			<wfw:commentRss>http://pixlpa.com/projects/uncharted/feed</wfw:commentRss>
		</item>
		<item>
		<title>sample accurate</title>
		<link>http://pixlpa.com/software/sample-accurate</link>
		<comments>http://pixlpa.com/software/sample-accurate#comments</comments>
		<pubDate>Tue, 04 Mar 2008 05:53:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Software]]></category>

		<guid isPermaLink="false">http://pixlpa.com/software/sample-accurate</guid>
		<description><![CDATA[When working on various signal-based sequencing and playback projects, I have found that there are a couple of tasks that required objects that aren&#8217;t available in the standard distribution of MSP objects.  I have put together a small collection of MaxMSP objects that perform some basic tasks that I find useful for doing signal-driven [...]]]></description>
			<content:encoded><![CDATA[<p>When working on various signal-based sequencing and playback projects, I have found that there are a couple of tasks that required objects that aren&#8217;t available in the standard distribution of MSP objects.  I have put together a small collection of MaxMSP objects that perform some basic tasks that I find useful for doing signal-driven sample playback of different kinds:</p>
<ul>
<li>wait~ - outputs a stored value at the end of a ramp - sort of like a really special sah~. helps to prevent clicking when randomizing or changing parameters of your sampler or granular voice</li>
<li>shot~ - signal-triggered, uninterruptible ramp output.  Length in milliseconds. busy output helps when trying to manage polyphonic setups.</li>
<li>cshot~ - signal-triggered, uninterruptible sample counter with synchronous ramp output. Length in samples.  I&#8217;ve always wanted a signal-triggered sample-counter.</li>
</ul>
<p><a href="http://pile.pixlpa.com/ab-ext000.zip">Download Mac UB Objects</a></p>
<p>This small collection is still a work in progress, so any feedback or complaints are welcome.</p>
]]></content:encoded>
			<wfw:commentRss>http://pixlpa.com/software/sample-accurate/feed</wfw:commentRss>
		</item>
		<item>
		<title>stereo mics</title>
		<link>http://pixlpa.com/blog/stereo-mics</link>
		<comments>http://pixlpa.com/blog/stereo-mics#comments</comments>
		<pubDate>Mon, 28 Jan 2008 21:05:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Electronics]]></category>

		<category><![CDATA[Sound]]></category>

		<guid isPermaLink="false">http://pixlpa.com/projects/stereo-mics</guid>
		<description><![CDATA[I just recently started doing some field recordings again, after spending a long time in pure synthesis land. I needed a good pair of mics for doing stereo recordings, so I grabbed a couple of good quality Panasonic electret capsules and soldered them to a length of cable from a pair of broken headphones.  [...]]]></description>
			<content:encoded><![CDATA[<p>I just recently started doing some field recordings again, after spending a long time in pure synthesis land. I needed a good pair of mics for doing stereo recordings, so I grabbed a couple of good quality <a href="http://search.digikey.com/scripts/DkSearch/dksus.dll?Detail?name=P9925-ND">Panasonic electret capsules</a> and soldered them to a length of cable from a pair of broken headphones.  To protect the wiring (and make them look a little more stealthy) I mounted the capsules inside 1&#8243; pieces of a ballpoint pen barrel.  A little hot glue and some tape, and I had some really good sounding stereo mics for doing field recording on the sly with my MiniDisc. <a title="stereo mics" href="http://pixlpa.com/dome/wp-content/uploads/2008/01/micbuds.jpg"><img src="http://pixlpa.com/dome/wp-content/uploads/2008/01/micbuds.jpg" alt="stereo mics" /></a></p>
]]></content:encoded>
			<wfw:commentRss>http://pixlpa.com/blog/stereo-mics/feed</wfw:commentRss>
		</item>
		<item>
		<title>Jitter Night School</title>
		<link>http://pixlpa.com/teaching/cnmat</link>
		<comments>http://pixlpa.com/teaching/cnmat#comments</comments>
		<pubDate>Sun, 29 Jul 2007 19:01:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Teaching]]></category>

		<guid isPermaLink="false">http://pixlpa.com/uncategorized/links-for-jitter-night-school</guid>
		<description><![CDATA[My Contact Info
email: andrewb [at] cycling74 [dot] com
AIM screen-name: cloudmachine99
Course Outline:::
Jitter Night School 2007
Instructor: Andrew Benson
Course Outline:::
Day 1 :: Intro to Jitter, the Matrix, and Interaction
- Intro to Jitter features
- What is a matrix?
- Using the Jitter documentation (html ref-pages, help files, etc.)
- Jitter data flow
- Matrix as data container
- Audio/Max interaction with Jitter
- Brief [...]]]></description>
			<content:encoded><![CDATA[<p><strong>My Contact Info</strong><br />
email: andrewb [at] cycling74 [dot] com<br />
AIM screen-name: cloudmachine99</p>
<p><strong>Course Outline:::<br />
</strong>Jitter Night School 2007<br />
Instructor: Andrew Benson</p>
<p><a href="http://pile.pixlpa.com/cnmat/CourseOutline.rtf">Course Outline:::</a></p>
<p>Day 1 :: Intro to Jitter, the Matrix, and Interaction<br />
- Intro to Jitter features<br />
- What is a matrix?<br />
- Using the Jitter documentation (html ref-pages, help files, etc.)<br />
- Jitter data flow<br />
- Matrix as data container<br />
- Audio/Max interaction with Jitter<br />
- Brief intro to Quicktime</p>
<p>Day 2 :: Focus on Video<br />
- Quicktime in Jitter<br />
- Playing QT movies<br />
- Real-time editing in Jitter<br />
- Grabbing input from external video devices<br />
- Recording to disk<br />
- Compression<br />
- Compositing/Blending<br />
- Crossfades<br />
- Keying/Alpha-channels<br />
- jit.op for mathematical blends (additive,subtractive,difference, etc.)<br />
- Filtering, Blurring, and Feedback<br />
- temporal vs. spatial filters<br />
- creating bit maps from images<br />
- convolution<br />
- intro to feedback (named matrices, jit.wake, etc.)</p>
<p>Day 3 :: OpenGL, Slabs, and other advanced topics<br />
- OpenGL lesson<br />
- Deconstructing an OpenGL patch<br />
- the OpenGL matrix format<br />
- applying textures<br />
- blending, layering, and depthbuffering<br />
- Using Slabs for Optimized Video Processing<br />
- What is a slab? What is a shader?<br />
- Optimized transfer of video using UYVY color<br />
- Intro to the provided shaders<br />
- Quick look at a shader program?<br />
- Performance and Live-video concerns<br />
- Using a second display (projector)<br />
- Preloading, RAM vs. Disk-access<br />
- Basic Optimization strategies</p>
<p><strong>Class Patches:::</strong><br />
<a href="http://pile.pixlpa.com/cnmat/Day_1.zip">Day 1 patches</a><br />
<a href="http://pile.pixlpa.com/cnmat/Day_2.zip">Day 2 patches</a><br />
<a href="http://pile.pixlpa.com/cnmat/Day_3.zip">Day 3 patches</a><br />
<a href="http://pile.pixlpa.com/intro_patches.zip">Jitter Demo Patches</a></p>
<p><strong>Jitter Recipes:::</strong><br />
<a href="http://pile.pixlpa.com/JitterRecipes-Book1.zip">Jitter Recipes-Book1</a><br />
<a href="http://pile.pixlpa.com/JitterRecipes-Book2.zip">Jitter Recipes-Book2</a><br />
<a href="http://pile.pixlpa.com/JitterRecipes-Book3.zip">Jitter Recipes-Book3</a></p>
<p><strong>Third-Party CV externals:::</strong><br />
<a href="http://www.iamas.ac.jp/~jovan02/cv/download.html">Jean-Marc Pelletier&#8217;s CV.JIT</a><br />
<a href="http://homepage.mac.com/davidrokeby/softVNS.html">David Rokeby&#8217;s SoftVNS</a><br />
<a href="http://www.mat.ucsb.edu/~whsmith/projects.html">Wesley Smith&#8217;s Misc. Jitter Externals</a></p>
<p><strong>Other Awesome Jitter Users:::</strong><br />
<a href="http://abstrakt.vade.info/">Anton Marini</a> - AKA vade.<br />
<a href="http://www.goldbergs.com/">Joshua Goldberg</a><br />
<a href="http://2uptech.com/">Randy Jones</a><br />
<a href="http://www.sue-c.net/">Sue Costabile</a></p>
<p><strong>Video Downloads:::</strong><br />
<a href="http://homepages.inf.ed.ac.uk/rbf/CAVIARDATA1/">Video-Tracking Test Footage</a><br />
<a href="http://www.archive.org">Archive.org</a>- Ephemeral Films,Open-source Video,etc.<br />
<a href="http://vjforums.com/forumdisplay.php?f=11">VJ Forums Content Finding Forum</a>- Browse the threads here for links to all sorts of short clips in every theme.</p>
<p><strong>&#8212;-Not Jitter-specific, but some useful info and inspirations:&#8212;-</strong></p>
<p><strong>Traditional Authors</strong>:<br />
Giuseppe Arcimboldo: <a href="http://en.wikipedia.org/wiki/Giuseppe_Arcimboldo">http://en.wikipedia.org/wiki/Giuseppe_Arcimboldo</a><br />
Giacomo Balla: <a href="http://en.wikipedia.org/wiki/Giacomo_Balla">http://en.wikipedia.org/wiki/Giacomo_Balla</a><br />
Mikalojus Konstantinas ÄŒiurlionis: <a href="http://en.wikipedia.org/wiki/Ciurlionis">http://en.wikipedia.org/wiki/Ciurlionis</a><br />
Theo van Doesburg: <a href="http://en.wikipedia.org/wiki/Theo_van_Doesburg">http://en.wikipedia.org/wiki/Theo_van_Doesburg</a><br />
Marcel Duchamp: <a href="http://en.wikipedia.org/wiki/Marcel_Duchamp">http://en.wikipedia.org/wiki/Marcel_Duchamp</a><br />
Wassily Kandinsky: <a href="http://en.wikipedia.org/wiki/Wassily_Kandinsky">http://en.wikipedia.org/wiki/Wassily_Kandinsky</a><br />
FrantiÅ¡ek Kupka: <a href="http://en.wikipedia.org/wiki/FrantiÅ¡ek_Kupka">http://en.wikipedia.org/wiki/FrantiÅ¡ek_Kupka</a><br />
Paul Klee: <a href="http://en.wikipedia.org/wiki/Paul_Klee">http://en.wikipedia.org/wiki/Paul_Klee</a><br />
Ã‰tienne-Jules Marey: <a href="http://en.wikipedia.org/wiki/Ã‰tienne-Jules_Marey">http://en.wikipedia.org/wiki/Ã‰tienne-Jules_Marey</a><br />
LÃ¡szlÃ³ Moholy-Nagy: <a href="http://en.wikipedia.org/wiki/LÃ¡szlÃ³_Moholy-Nagy">http://en.wikipedia.org/wiki/LÃ¡szlÃ³_Moholy-Nagy</a><br />
Piet Mondrian: <a href="http://en.wikipedia.org/wiki/Piet_Mondrian">http://en.wikipedia.org/wiki/Piet_Mondrian</a><br />
Eadweard Muybridge: <a href="http://en.wikipedia.org/wiki/Eadweard_Muybridge">http://en.wikipedia.org/wiki/Eadweard_Muybridge</a><br />
Georgia O&#8217;Keeffe: <a href="http://www.okeeffemuseum.org/indexflash.php">http://www.okeeffemuseum.org/indexflash.php</a><br />
Alexander Rodchenko: <a href="http://en.wikipedia.org/wiki/Alexandr_Rodchenko">http://en.wikipedia.org/wiki/Alexandr_Rodchenko</a><br />
Arnold SchÃ¶nberg: <a href="http://www.schoenberg.at/default_e.htm">http://www.schoenberg.at/default_e.htm</a><br />
Alexander Scriabin: <a href="http://en.wikipedia.org/wiki/Alexander_Scriabin">http://en.wikipedia.org/wiki/Alexander_Scriabin</a><br />
Alfred Stieglitz: <a href="http://en.wikipedia.org/wiki/Alfred_Stieglitz">http://en.wikipedia.org/wiki/Alfred_Stieglitz</a><br />
Synchromism: <a href="http://en.wikipedia.org/wiki/Synchromism">http://en.wikipedia.org/wiki/Synchromism</a></p>
<p><strong>Classic Audiovisual Authors</strong>:<br />
Wladimir Baranoff-RossinÃ©: <a href="http://www.baranoffrossine.com/museum/index.cfm?SelectLang=English">http://www.baranoffrossine.com/museum/index.cfm?SelectLang=English</a><br />
Jordan Belson: <a href="http://www.centerforvisualmusic.org/Belson">http://www.centerforvisualmusic.org/Belson</a><br />
Mary Ellen Bute: <a href="http://en.wikipedia.org/wiki/Mary_Ellen_Bute">http://en.wikipedia.org/wiki/Mary_Ellen_Bute</a><br />
Stan Brakhage: <a href="http://www.iotacenter.org/visualmusic/profiles/brakhagestan">http://www.iotacenter.org/visualmusic/profiles/brakhagestan</a><br />
Louis-Betrand Castel: <a href="http://www.iotacenter.org/visualmusic/profiles/castellouis">http://www.iotacenter.org/visualmusic/profiles/castellouis</a><br />
Larry Cuba: <a href="http://www.well.com/~cuba/index.html">http://www.well.com/~cuba/index.html</a><br />
Tom DeWitt: <a href="http://people.wcsu.edu/mccarneyh/fva/D/Tom_Dewitt.html">http://people.wcsu.edu/mccarneyh/fva/D/Tom_Dewitt.html</a><br />
Charles Dockum: <a href="http://www.iotacenter.org/visualmusic/profiles/dockumcharles">http://www.iotacenter.org/visualmusic/profiles/dockumcharles</a><br />
Viking Eggeling: <a href="http://www.iotacenter.org/visualmusic/profiles/eggelingviking">http://www.iotacenter.org/visualmusic/profiles/eggelingviking</a><br />
Oskar Fischinger: <a href="http://www.centerforvisualmusic.org/Fischinger">http://www.centerforvisualmusic.org/Fischinger</a><br />
Mary Hallock-Greenewalt: <a href="http://en.wikipedia.org/wiki/Mary_Hallock-Greenewalt">http://en.wikipedia.org/wiki/Mary_Hallock-Greenewalt</a><br />
Hi Hirsh: <a href="http://www.iotacenter.org/visualmusic/profiles/hirshhyfolder">http://www.iotacenter.org/visualmusic/profiles/hirshhyfolder</a><br />
Len Lye: <a href="http://en.wikipedia.org/wiki/Len_Lye">http://en.wikipedia.org/wiki/Len_Lye</a><br />
Norman McLaren: <a href="http://www.nfb.ca/portraits/fiche.php?id=285&amp;v=h&amp;lg=en">http://www.nfb.ca/portraits/fiche.php?id=285&amp;v=h&amp;lg=en</a><br />
Nam June Paik: <a href="http://www.paikstudios.com/">http://www.paikstudios.com/</a><br />
Hans Richter: <a href="http://www.iotacenter.org/visualmusic/profiles/richterhans">http://www.iotacenter.org/visualmusic/profiles/richterhans</a><br />
Alexander Wallace Rimington: <a href="http://www.iotacenter.org/visualmusic/profiles/rimingtona">http://www.iotacenter.org/visualmusic/profiles/rimingtona</a><br />
Walter Ruttmann: <a href="http://www.iotacenter.org/visualmusic/profiles/ruttmannwalter">http://www.iotacenter.org/visualmusic/profiles/ruttmannwalter</a><br />
Daniel Sandin: <a href="http://www.audiovisualizers.com/toolshak/vidsynth/sandin/sandin.htm">http://www.audiovisualizers.com/toolshak/vidsynth/sandin/sandin.htm</a><br />
Harry Smith: <a href="http://www.harrysmitharchives.com/">http://www.harrysmitharchives.com/</a><br />
LÃ©opold Survage: <a href="http://en.wikipedia.org/wiki/LÃ©opold_Survage">http://en.wikipedia.org/wiki/LÃ©opold_Survage</a><br />
Edgard VarÃ¨se: <a href="http://en.wikipedia.org/wiki/Edgard_VarÃ¨se">http://en.wikipedia.org/wiki/Edgard_VarÃ¨se</a><br />
Bill Viola: <a href="http://www.billviola.com/">http://www.billviola.com/</a><br />
James Whitney: <a href="http://en.wikipedia.org/wiki/James_Whitney_(filmmaker)">http://en.wikipedia.org/wiki/James_Whitney_(filmmaker)</a><br />
John Whitney Sr.: <a href="http://www.siggraph.org/artdesign/profile/whitney/nobio_intro.html">http://www.siggraph.org/artdesign/profile/whitney/nobio_intro.html</a><br />
Thomas Wilfred: <a href="http://www.lumia-wilfred.org/">http://www.lumia-wilfred.org/</a><br />
Iannis Xenakis: <a href="http://en.wikipedia.org/wiki/Iannis_Xenakis">http://en.wikipedia.org/wiki/Iannis_Xenakis</a></p>
<p><strong>Contemporary Animations</strong>:<br />
J. Walt Adamczyk: <a href="http://www.johnadamczyk.com/filmvideo.html%20xvid">http://www.johnadamczyk.com/filmvideo.html xvid</a><br />
Bill Alves: <a href="http://www2.hmc.edu/~alves/">http://www2.hmc.edu/~alves/</a><br />
Bret Battey: <a href="http://www.mti.dmu.ac.uk/~bbattey/">http://www.mti.dmu.ac.uk/~bbattey/</a><br />
Michael Betancourt: <a href="http://www.michaelbetancourt.com/art/telemetry/">http://www.michaelbetancourt.com/art/telemetry/</a><br />
Liubo Borissov: <a href="http://www.music.columbia.edu/~liubo/bohor05/index2.html">http://www.music.columbia.edu/~liubo/bohor05/index2.html</a><br />
Peter Bosch &amp; Simone Simmons:  <a href="http://www.fundacion.telefonica.com/at/vida/paginas/v6/eaguas.html">http://www.fundacion.telefonica.com/at/vida/paginas/v6/eaguas.html</a><br />
Chris Casady: <a href="http://www.naptime.com/flash/artexercises/">http://www.naptime.com/flash/artexercises/</a><br />
Robert Darroll: <a href="http://www.iotacenter.org/visualmusic/profiles/darrollrobertfolder/statements">http://www.iotacenter.org/visualmusic/profiles/darrollrobertfolder/statements</a><br />
Jeffers Egan: <a href="http://www.jeffersegan.com/">http://www.jeffersegan.com/</a><br />
Jim Ellis: <a href="http://emsh.calarts.edu/~jim/">http://emsh.calarts.edu/~jim/</a><br />
Robin Fox: <a href="http://www.synrecords.com/label.html">http://www.synrecords.com/label.html</a><br />
Francesco Gaffuri:  <a href="http://www.francescogaffuri.com/">http://www.francescogaffuri.com/</a><br />
Andrew Garton: <a href="http://www.toysatellite.org/agarton/2004/01/floating_point.html">http://www.toysatellite.org/agarton/2004/01/floating_point.html</a><br />
AndrÃ© GonÃ§alves: <a href="http://www.ctrl.tk/">http://www.ctrl.tk/</a><br />
Robert Hodgin: <a href="http://www.flight404.com/blog/">http://www.flight404.com/blog/</a><br />
Rumi Humphrey: <a href="http://refresh.vu/primera.htm">http://refresh.vu/primera.htm</a><br />
Samantha Krukowski: <a href="http://www.cm.aces.utexas.edu/faculty/skrukowski/">http://www.cm.aces.utexas.edu/faculty/skrukowski/</a><br />
Stefanie Ku: <a href="http://www.dioskouroi.org">http://www.dioskouroi.org</a><br />
Anne-Sarah LeMeur: <a href="http://aslemeur.free.fr/">http://aslemeur.free.fr/</a><br />
JosÃ© Lopez-Montes: <a href="http://www.sibeliusmusic.com/cgi-bin/user_page.pl?url=lopezmontes">http://www.sibeliusmusic.com/cgi-bin/user_page.pl?url=lopezmontes</a><br />
Andrew Lyons: <a href="http://www.users.bigpond.com/tstex/">http://www.users.bigpond.com/tstex/</a><br />
Stephanie Maxwell: <a href="http://www.rit.edu/~sampph/Works.html">http://www.rit.edu/~sampph/Works.html</a><br />
Dennis Miller: <a href="http://www.dennismiller.neu.edu/">http://www.dennismiller.neu.edu/</a><br />
BÃ¤rbel Neubauer: <a href="http://www.spiralsmorphs.de/">http://www.spiralsmorphs.de/</a><br />
Scott Nyerges: <a href="http://www.nyerges.com/">http://www.nyerges.com/</a><br />
Richard Reeves: <a href="http://www.awn.com/qas/profiles/richard.htm">http://www.awn.com/qas/profiles/richard.htm</a><br />
Joost Rekveld: <a href="http://www.lumen.nu/rekveld/wp/index.php">http://www.lumen.nu/rekveld/wp/index.php</a><br />
Aaron Ross: <a href="http://www.dr-yo.com/">http://www.dr-yo.com/</a><br />
JÃ¸ran Rudi: <a href="http://www.notam02.no/~joranru/wtca/index.html">http://www.notam02.no/~joranru/wtca/index.html</a><br />
Michael Scroggins: <a href="http://emsh.calarts.edu/~aka/papers/Absolute_Animation_and_Immersive_VR.html">http://emsh.calarts.edu/~aka/papers/Absolute_Animation_and_Immersive_VR.html</a><br />
Robert Seidel: <a href="http://www.2minds.de/">http://www.2minds.de/</a><br />
Semiconductor: <a href="http://www.semiconductorfilms.com/root/soundfilms.htm">http://www.semiconductorfilms.com/root/soundfilms.htm</a><br />
John Stehura: <a href="http://cyberanimation.tripod.com/index.htm">http://cyberanimation.tripod.com/index.htm</a><br />
David Stout: <a href="http://nfold.csf.edu/">http://nfold.csf.edu/</a><br />
Rob Switzer: <a href="http://www.archive.org/details/Study_One">http://www.archive.org/details/Study_One</a><br />
Ying Tan: <a href="http://www.uoregon.edu/~tanying/index.html">http://www.uoregon.edu/~tanying/index.html</a><br />
Telcosystems: <a href="http://www.telcosystems.net/">http://www.telcosystems.net/</a><br />
Shawn Towne: <a href="http://web.mac.com/towne/iWeb/shawn/towne.html">http://web.mac.com/towne/iWeb/shawn/towne.html</a><br />
Edward Zajec: <a href="http://www.dam.org/zajec/">http://www.dam.org/zajec/</a></p>
<p><strong>Contemporary Installations/Performances</strong>:<br />
Actop: <a href="http://www.actop.net/">http://www.actop.net/</a><br />
Richard Bailey: <a href="http://www.imagesavant.com/">http://www.imagesavant.com/</a><br />
Benton-C Bainbridge: <a href="http://www.benton-c.com/">http://www.benton-c.com/</a><br />
Steve Beck: <a href="http://www.stevebeck.tv/">http://www.stevebeck.tv/</a><br />
Coldcut: <a href="http://www.coldcut.net/coldcut/">http://www.coldcut.net/coldcut/</a><br />
Dienststelle: <a href="http://www.dienststelle.de/">http://www.dienststelle.de/</a><br />
D-Fuse: <a href="http://www.dfuse.com/">http://www.dfuse.com/</a><br />
Scott Draves: <a href="http://draves.org/">http://draves.org/</a><br />
Granular Synthesis: <a href="http://www.granularsynthesis.info/">http://www.granularsynthesis.info/</a><br />
Peter Greenaway: <a href="http://petergreenaway.co.uk/">http://petergreenaway.co.uk/</a><br />
Edwin van der Heide: <a href="http://www.evdh.net/">http://www.evdh.net/</a><br />
Kurt Hentschlager: <a href="http://www.hentschlager.info/">http://www.hentschlager.info/</a><br />
Chika Iijima - Zach Layton: <a href="http://www.imagima.com/">http://www.imagima.com/</a><br />
Hfr-Lab: <a href="http://www.hfr-lab.com/">http://www.hfr-lab.com/</a><br />
Speedy J: <a href="http://www.speedyj.com/newsite/index.html">http://www.speedyj.com/newsite/index.html</a><br />
Randy Jones: <a href="http://2uptech.com/">http://2uptech.com/</a><br />
Skoltz Kolgen: <a href="http://www.skoltzkolgen.com/">http://www.skoltzkolgen.com/</a><br />
Ryoichi Kurokawa: <a href="http://www.ryoichikurokawa.com/">http://www.ryoichikurokawa.com/</a><br />
Ulf Langheinrich: <a href="http://www.epidemic.net/geogb/art/gs/ulf/indexgb.html">http://www.epidemic.net/geogb/art/gs/ulf/indexgb.html</a><br />
Golan Levin: <a href="http://www.flong.com/">http://www.flong.com/</a><br />
The Light Surgeons: <a href="http://www.thelightsurgeons.co.uk/">http://www.thelightsurgeons.co.uk/</a><br />
Jarryd Lowder: <a href="http://jarrydlowder.com/">http://jarrydlowder.com/</a><br />
Glenn McKay: <a href="http://www.glennmckay.to/">http://www.glennmckay.to/</a><br />
MELA Foundation: <a href="http://melafoundation.org/main.htm">http://melafoundation.org/main.htm</a><br />
Finn &amp; Robin McNicholas: <a href="http://ultre.co.uk/">http://ultre.co.uk/</a><br />
Nokami: <a href="http://www.nokami.com/htm_en/01_0.htm">http://www.nokami.com/htm_en/01_0.htm</a><br />
Alva Noto: <a href="http://www.alvanoto.com/">http://www.alvanoto.com/</a><br />
otolab: <a href="http://www.otolab.net/">http://www.otolab.net/</a><br />
Jack Ox: <a href="http://www.bway.net/~jackox/">http://www.bway.net/~jackox/</a><br />
Scott Pagano: <a href="http://www.neither-field.com/index.php?page=bio">http://www.neither-field.com/index.php?page=bio</a><br />
Power Graphixx: <a href="http://www.power-graphixx.com/">http://www.power-graphixx.com/</a><br />
Reactable: <a href="http://mtg.upf.edu/reactable/">http://mtg.upf.edu/reactable/</a><br />
Curtis Roads: <a href="http://www.mat.ucsb.edu/~clang/">http://www.mat.ucsb.edu/~clang/</a><br />
Ben Sheppee: <a href="http://www.eoptica.com/sheppee/">http://www.eoptica.com/sheppee/</a><br />
George Stadnik: <a href="http://www.photonlightguitars.com/index.html">http://www.photonlightguitars.com/index.html</a><br />
Jennifer Steinkamp: <a href="http://jsteinkamp.com/">http://jsteinkamp.com/</a><br />
UVA: <a href="http://www.uva.co.uk/">http://www.uva.co.uk/</a><br />
The Vasulkas Inc.: <a href="http://www.vasulka.org/">http://www.vasulka.org/</a><br />
Leo Villareal: <a href="http://www.villareal.net/">http://www.villareal.net/</a></p>
<p><strong>Resources</strong>:<br />
Center for Visual Music: <a href="http://www.centerforvisualmusic.org/">http://www.centerforvisualmusic.org/</a><br />
The iotaCenter: <a href="http://www.iotacenter.org/">http://www.iotacenter.org/</a></p>
<p><strong>Other Links</strong>:<br />
arika: <a href="http://www.arika.org.uk/">http://www.arika.org.uk/</a><br />
Ars Electronica: <a href="http://www.aec.at/en/index.asp">http://www.aec.at/en/index.asp</a><br />
Center for Brain and Cognition: <a href="http://psy.ucsd.edu/chip/CBC2.html">http://psy.ucsd.edu/chip/CBC2.html</a><br />
Ernest Chladni: <a href="http://en.wikipedia.org/wiki/Ernst_Chladni">http://en.wikipedia.org/wiki/Ernst_Chladni</a><br />
Experimental Television Center: <a href="http://www.experimentaltvcenter.org/">http://www.experimentaltvcenter.org/</a><br />
Fred Collopy: <a href="http://rhythmiclight.com/">http://rhythmiclight.com/</a><br />
Color organ: <a href="http://en.wikipedia.org/wiki/Color_organ">http://en.wikipedia.org/wiki/Color_organ</a><br />
Richard Cytowic: <a href="http://cytowic.net/">http://cytowic.net/</a><br />
Dissonanze: <a href="http://www.dissonanze.it/home/home.php">http://www.dissonanze.it/home/home.php</a><br />
EMAF: <a href="http://www.emaf.de/">http://www.emaf.de/</a><br />
The Fischinger Archive: <a href="http://www.oskarfischinger.org/">http://www.oskarfischinger.org/</a><br />
International Congress Synaesthesia, Science &amp; art: <a href="http://www.sinestesia2007.info/">http://www.sinestesia2007.info/</a><br />
Lumia manuscripts: <a href="http://mssa.library.yale.edu/madid/showthumb.php?id=mss&amp;msrg=1375&amp;msrgext=0&amp;pg=1">http://mssa.library.yale.edu/madid/showthumb.php?id=mss&amp;msrg=1375&amp;msrgext=0&amp;pg=1</a><br />
Nederlands Instituut voor Mediakunst, Montevideo/Time Based Arts: <a href="http://www.montevideo.nl/en/index.html">http://www.montevideo.nl/en/index.html</a><br />
The New York Digital Salon - Abstract Visual Music: <a href="http://www.nydigitalsalon.org/11/index.htm">http://www.nydigitalsalon.org/11/index.htm</a><br />
NOT STILL ART Festival: <a href="http://www.improvart.com/nsa/">http://www.improvart.com/nsa/</a><br />
NOTV: <a href="http://www.notv.com/">http://www.notv.com/</a><br />
Optronica: <a href="http://www.optronica.org/">http://www.optronica.org/</a><br />
Piano Optofonique: <a href="http://optophoniqueeng.heatherodonnell.info/">http://optophoniqueeng.heatherodonnell.info/</a><br />
Prometheus Institute: <a href="http://prometheus.kai.ru/">http://prometheus.kai.ru/</a><br />
Oliver Sacks: <a href="http://www.oliversacks.com/">http://www.oliversacks.com/</a><br />
Sonar: <a href="http://www.sonar.es/portal/eng/home.cfm">http://www.sonar.es/portal/eng/home.cfm</a><br />
Sons &amp; LumiÃ¨res: <a href="http://www.centrepompidou.fr/Pompidou/Manifs.nsf/AllExpositions/E4B6AD56B6DA4B2FC1256DD600561C77?OpenDocument">http://www.centrepompidou.fr/Pompidou/Manifs.nsf/AllExpositions/E4B6AD56B6DA4B2FC1256DD600561C77?OpenDocument</a><br />
Transmediale: <a href="http://www.transmediale.de/site/">http://www.transmediale.de/site/</a><br />
V2-Institute for the Unstable Media: <a href="http://www.v2.nl/">http://www.v2.nl/</a><br />
Video Synthesizers: <a href="http://www.audiovisualizers.com/toolshak/vsynths.htm">http://www.audiovisualizers.com/toolshak/vsynths.htm</a><br />
Visual music: <a href="http://en.wikipedia.org/wiki/Visual_music">http://en.wikipedia.org/wiki/Visual_music</a><br />
Visual Music: <a href="http://www.hirshhorn.si.edu/visualmusic/">http://www.hirshhorn.si.edu/visualmusic/</a><br />
Visual Music Marathon: <a href="http://www.music.neu.edu/vmm/">http://www.music.neu.edu/vmm/</a><br />
What Sound Does a Color Make?: <a href="http://www.ici-exhibitions.org/exhibitions/whatsound/what_sound.htm">http://www.ici-exhibitions.org/exhibitions/whatsound/what_sound.htm</a><br />
White Noise: <a href="http://www.acmi.net.au/wn_white_noise.jsp">http://www.acmi.net.au/wn_white_noise.jsp</a></p>
<p><strong>Books:</strong><br />
Expanded Cinema, Youngblood, P. Dutton &amp; Co., 1970, <a href="http://www.ubu.com/historical/youngblood/expanded_cinema.pdf">http://www.ubu.com/historical/youngblood/expanded_cinema.pdf</a><br />
Experimental Animation, Russett - Starr, Da Capo Press, 1976, ISBN 0-306-80314-2<br />
The Sound of Painting, von Maur, Prestel, 1999, ISBN 3-7913-2082-3</p>
<p>Sons &amp; LumiÃ¨res, von Maur - Rousseau - Cooper - Levin - Lista - Kahn - Duplaix - Kihm - Szendy, Ã‰ditions du Centre Pompidou, 2004, ISBN 2-84426-244-9<br />
Visual Music: Synaesthesia in Art and Music Since 1900, Brougher - Strick - Wiseman - Zilczer, Thames and Hudson, 2005, ISBN 0-500-51217-5<br />
audio-visual art + vj culture, Faulkner/D-FUSE, Laurence King Publishing Ltd., 2006, ISBN 1-85669-490-9</p>
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		<item>
		<title>slurp_splat</title>
		<link>http://pixlpa.com/software/slurp_splat</link>
		<comments>http://pixlpa.com/software/slurp_splat#comments</comments>
		<pubDate>Wed, 11 Jul 2007 19:16:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Software]]></category>

		<guid isPermaLink="false">http://pixlpa.com/dome/?p=17</guid>
		<description><![CDATA[slurp_splat is MaxMSP/Jitter patch and GLSL shader that is used to create abstract and fluid real-time imagery through the leveraging of OpenGL hardware accelerated processing and drawing tools.  This patch is provided without much documentation or support, but is rather meant  as a demo of some of my current practices in creating video [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://pile.pixlpa.com/slurps.zip">slurp_splat</a> is MaxMSP/Jitter patch and GLSL shader that is used to create abstract and fluid real-time imagery through the leveraging of OpenGL hardware accelerated processing and drawing tools.  This patch is provided without much documentation or support, but is rather meant  as a demo of some of my current practices in creating video processes.  I&#8217;m pretty sure the shader won&#8217;t run on Mac PowerBooks, so I imagine a lot of older or lower end video cards won&#8217;t be able to run it.    Maybe at some point I can come up with a version that will run on PowerBook, but that will probably take some trial and error and empirical debugging.<br />
<a title="Photo Sharing" href="http://www.flickr.com/photos/andrewbenson/778379101/"><img src="http://farm2.static.flickr.com/1017/778379101_68d0291e79_o.png" alt="slurp splat lite" width="320" height="240" /></a></p>
]]></content:encoded>
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		</item>
		<item>
		<title>proximity</title>
		<link>http://pixlpa.com/blog/proximity</link>
		<comments>http://pixlpa.com/blog/proximity#comments</comments>
		<pubDate>Fri, 15 Jun 2007 15:45:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<category><![CDATA[Electronics]]></category>

		<guid isPermaLink="false">http://pixlpa.com/dome/?p=16</guid>
		<description><![CDATA[&#8220;proximity&#8221; is a piece created by Alison Sant and Rick Johnson where Alison walks around the city with a vest embedded with proximity sensors and cameras.  The cameras are turned on whenever someone enters a specified personal distance.  The resulting tape is mostly black screens, interspersed with some short clips of people walking [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.alisant.net/projects.html">&#8220;proximity&#8221;</a> is a piece created by Alison Sant and Rick Johnson where Alison walks around the city with a vest embedded with proximity sensors and cameras.  The cameras are turned on whenever someone enters a specified personal distance.  The resulting tape is mostly black screens, interspersed with some short clips of people walking past.  I was introduced to Alison and Rick by my good friend <a href="http://www.boutiquevizique.com">Stijn</a>, who was going to help them out, but was off in Belgium for the summer.  I created a new brain for this piece, which consists of an Atmel ATTiny26, a couple of Sharp IR rangers, and a relay.  The nice thing about working on this project was that it has forced me to review a bit of electronics, and Rick and Alison are very nice people as well!</p>
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		</item>
		<item>
		<title>&#8220;excavations&#8221; at johansson projects</title>
		<link>http://pixlpa.com/blog/excavations-at-johansson-projects</link>
		<comments>http://pixlpa.com/blog/excavations-at-johansson-projects#comments</comments>
		<pubDate>Tue, 15 May 2007 19:58:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Blog]]></category>

		<guid isPermaLink="false">http://pixlpa.com/dome/?p=15</guid>
		<description><![CDATA[I will be in a show called &#8220;Excavations&#8221; at Johansson Projects Gallery in Oakland,CA.  The show opens May 12th, with a reception that evening and also another one on June 1st during the Oakland Art Murmur, 6-9pm.  The gallery will also be open Thurs.-Saturday, noon-6pm, during the rest of the show.  This [...]]]></description>
			<content:encoded><![CDATA[<p>I will be in a show called &#8220;Excavations&#8221; at Johansson Projects Gallery in Oakland,CA.  The show opens May 12th, with a reception that evening and also another one on June 1st during the Oakland Art Murmur, 6-9pm.  The gallery will also be open Thurs.-Saturday, noon-6pm, during the rest of the show.  This is the first show at the new gallery, and will include work by eight other artists in various media.  My contribution to the show is 16 paintings, 9 video pieces, and one felt and thread landscape installation.  For more info, check out the <a href="http://www.johanssonprojects.com">gallery website</a>.</p>
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		</item>
		<item>
		<title>Bibliography</title>
		<link>http://pixlpa.com/research/bibliography</link>
		<comments>http://pixlpa.com/research/bibliography#comments</comments>
		<pubDate>Tue, 15 May 2007 18:37:11 +0000</pubDate>
		<dc:creator>admin</dc:creator>
		
		<category><![CDATA[Research]]></category>

		<category><![CDATA[Writing]]></category>

		<guid isPermaLink="false">http://pixlpa.com/dome/?p=14</guid>
		<description><![CDATA[Since I am always compiling lists of books and articles for imaginary lectures and classes that I will never teach, I decided I should take a moment to start a sort of Bibliography of my thought processes.
I will be adding to this as time permits:

&#8220;The Production of Space&#8221;, Henri Lefebvre.
&#8220;Rhythmanalysis&#8221;,Henri Lefebvre.
&#8220;Collecting Contemporary&#8221;,
&#8220;A Thousand Plateaus&#8221;, Gilles [...]]]></description>
			<content:encoded><![CDATA[<p>Since I am always compiling lists of books and articles for imaginary lectures and classes that I will never teach, I decided I should take a moment to start a sort of Bibliography of my thought processes.</p>
<p>I will be adding to this as time permits:</p>
<ul>
<li>&#8220;The Production of Space&#8221;, Henri Lefebvre.</li>
<li>&#8220;Rhythmanalysis&#8221;,Henri Lefebvre.</li>
<li>&#8220;Collecting Contemporary&#8221;,</li>
<li>&#8220;A Thousand Plateaus&#8221;, Gilles Deleuze and Felix Guattari.</li>
<li>&#8220;1000 Years of Non-Linear History&#8221;, Manuel DeLanda.</li>
<li>&#8220;Invisible Cities&#8221;, Italo Calvino.</li>
<li>&#8220;On Truth and Lying in a Non-Moral Sense&#8221;, Friedrich Nietzche</li>
<li>&#8220;Hardware Hacking: Handmade Electronic Music&#8221;, Nic Collins</li>
<li>&#8220;The History of Sexuality&#8221;, Michel Foucault</li>
<li>&#8220;Six Memos for the Next Millenium&#8221;,Italo Calvino</li>
<li>&#8220;Tractatus Logico-Philisophicus&#8221;, Ludwig Wittgensteing</li>
<li>&#8220;The Question Concerning Technology&#8221;, Martin Heidegger</li>
<li>&#8220;A New Philosophy of Society: Assemblage Theory and Social Complexity&#8221;,Manuel Delanda.</li>
</ul>
]]></content:encoded>
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